By Lindsay Zoladz
Over the weekend, I finally watched “Saltburn,” the provocative, polarizing and occasionally downright icky coming-of-age thriller that no one can stop talking about right now.
The movie, written and directed by the “Promising Young Woman” filmmaker Emerald Fennell and starring the current It Boys Barry Keoghan and Jacob Elordi, charts the fates of two unlikely friends who meet at Oxford and later spend a debauched summer at the titular estate where the (much) wealthier of the two boys lives with his aristocratic family.
“Saltburn” plays out like a diabolically dark, millennial take on “Brideshead Revisited.” And the operative word there is millennial, since the 38-year-old Fennell delights in planting innumerable period-specific details — including an evocative soundtrack — that remind viewers that these boys belong to the Class of 2006.
The soundtrack has elicited such potent nostalgia that it has catapulted Sophie Ellis-Bextor’s 2001 neo-disco hit, “Murder on the Dancefloor,” used in a crucial scene, back into the Top 10 on the British charts. This week, the song cracked the Billboard Hot 100 for the first time.
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